{"title":"Ambient","description":"","products":[{"product_id":"alva-noto-kinder-der-sonne","title":"Alva Noto: Kinder Der Sonne","description":"\u003cp\u003eNOTON is pleased to announce the release of\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eKinder der Sonne\u003c\/em\u003e, the new album by Alva Noto featuring music composed for the score of the theater piece\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eKomplizen\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003eby Simon Stone.\u003c\/p\u003e\n\u003cp\u003eThe title comes from Maxim Gorky’s play\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eChildren of the Sun\u003c\/em\u003e, written in the context of the 1905 Russian Revolution. Simon Stone wrote the new play for the Burgtheater ensemble based on this drama.\u003c\/p\u003e\n\u003cp\u003eThe single\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eDie Untergründigen\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003eunveils a romantic space, charting a sublime path with a new depth of harmonics and vibrant color. Piano phrases, extant yet ghostly, intersect layers upon layers of confluent warmth and cold digital sounds towering and mysterious despite their wispy forms. Intricately arranged, these textures fill the space at any time, fittingly evoking flux as if they were conceived and recorded on a slow ride across the ocean.\u003c\/p\u003e\n\u003cp\u003eAcross fourteen compositions, Alva Noto’s\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eKinder der Sonne\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003etakes the listener into a sonic journey of emotional tension and release, revealing a particular kind of sci-fi lust fused with a suite of modern, minimalist ambient classical.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/3xKARuLMPrI?si=NbK8q3qOFVWQ05BQ\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen\u003e\u003c\/iframe\u003e","brand":"Profundo","offers":[{"title":"Default Title","offer_id":52997020516646,"sku":null,"price":900.0,"currency_code":"MXN","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1011\/3905\/4886\/files\/R-26972957-1683210115-3488.jpg?v=1775763382"},{"product_id":"lva-noto-this-stolen-country-of-mine","title":"Alva Noto: This Stolen Country Of Mine","description":"\u003cp\u003eAlva Noto’s award winning score for the 2022 German documentary film\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eThis Stolen Country of Mine\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003edirected by German filmmaker Marc Wiese features nineteen compositions to be released on NOTON in July 2023.\u003c\/p\u003e\n\u003cp\u003eThe documentary film explores the question of a state’s sovereignty in the face of foreign powers. The film portrays Ecuadorian resistance fighters and journalists who oppose the sell-off of an extensive part of the country’s resources to Chinese investors. \u003c\/p\u003e\n\u003cp\u003eAlva Noto’s music subtly accompanies the struggle of a mountain village, immersing us into the film’s narrative and pathos. Across nineteen compositions, the music exposes and holds back when the images and statements of the protagonists speak for themselves, reflecting the dark shadows and the glares of hope of communal resistance.\u003c\/p\u003e\n\u003cp\u003eThe documentary was the recipient of the German Documentary Film Music Award 2022.\u003c\/p\u003e\n\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/vzbw1nlATtQ?si=XCpc_7L422rGJY7T\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen\u003e\u003c\/iframe\u003e","brand":"Profundo","offers":[{"title":"Default Title","offer_id":52997032214822,"sku":null,"price":900.0,"currency_code":"MXN","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1011\/3905\/4886\/files\/N-059_Cover.png?v=1775764161"},{"product_id":"various-artists-utopia-or-oblivion-a-compilation-inspired-by-the-work-of-buckminster-fuller","title":"Various Artists:  Utopia or Oblivion (A Compilation Inspired By The Work Of Buckminster Fuller)","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eConstructive is pleased to announce, ‘Utopia Or Oblivion’, a new compilation featuring ten artists inspired by the pioneering work of R. Buckminster Fuller, with each track made in response to Fuller’s corresponding essays ‘Utopia Or Oblivion’, first published in 1963. Encompassing contributions from international artists, ‘Utopia Or Oblivion’ represents a diverse dialogue with the enterprising ideas of R. Buckminster Fuller, fittingly produced according to an inclusive remit.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003cspan\u003eFrom the irregular glitch pop scintillation of ‘How Would I Be? What Would I Do’ by German artist \u0026amp; founding member of To Rococo Rot, Robert Lippok, to the heartfelt ambient and seraphic voices of ‘Afterimage’ by Japanese artist Tujiko Noriko (Editions Mego, PAN, Room40), through to the tensile, eruptive, dub-contoured emittances of ‘Tensegrity Rhythms’ by Peruvian experimental composer Ale Hop (Karlrecords) – its title a specific reference to a structural principal conceived by Fuller – ‘Utopia Or Oblivion’ ranges in\u003c\/span\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cspan\u003e \u003c\/span\u003escope yet moves cohesively through dynamic modes of experimentation and musicality.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cbr\u003eElsewhere, there are appearances from the Bafta-nominated composer Adam Janota Bzowski (Saint Maud OST), musician \u0026amp; Constructive co-founder Adrian Corker, London-based experimentalist No Home, Italian artist \u0026amp; NTS Radio resident Silvia Kastel (Blackest Ever Black, Palto Flats, Youth), British sound artist David Prior, and a unique collaboration between the British DIY experimental musician Richard Skelton \u0026amp; Corey Fuller, a descendant of R. Buckminster Fuller.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cbr\u003eIn addition to the release of ‘Utopia Or Oblivion’, Constructive will publish a website which will serve as a focal point for a series of essays, articles, artworks, and information resources, derived from the same expansive brief offered to the musicians. An interdisciplinary home for the development of further ideas, continued exchange, and the dissemination of Fuller’s prescient theories and philosophies.\u003c\/span\u003e\u003c\/p\u003e\n\n\u003ciframe style=\"border: 0; width: 350px; height: 470px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3092473286\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/constructive2.bandcamp.com\/album\/utopia-or-oblivion-a-compilation-inspired-by-the-work-of-buckminster-fuller\"\u003eUtopia or Oblivion (a compilation inspired by the work of Buckminster Fuller) by Various Artists\u003c\/a\u003e\u003c\/iframe\u003e","brand":"Profundo","offers":[{"title":"Default Title","offer_id":52997219156262,"sku":null,"price":900.0,"currency_code":"MXN","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1011\/3905\/4886\/files\/a4100957778_10.jpg?v=1775766738"},{"product_id":"kiln-holo","title":"Kiln: Holo","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e»Holo« by the US-American three-piece Kiln, first released in 1998, is one of those rare records that managed to carve out a niche of its own while also building bridges to variety of genres like Chicago-style post-rock, the ambient mysticism of projects like Rapoon or the music made at the intersection of shoegaze, and electronic music in the late 1990s. Lush textures, subtle rhythms, jazzy inflections and electronic experimentation seamlessly blend into each other over the course of the eleven tracks. This reissue through the German label Keplar makes the fully revised version, self-released by the group in 2007 under the name »Holo [re\/lux],« available on vinyl for the very first time. »Twenty-five years later this newly mastered vinyl edition is evidence that the sound of ›Holo‹ continues to attract like-minded listeners,« says member Clark Rehberg III. »Which on many levels means that our mission was successful.«\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eRehberg had embarked on this mission together with Kevin Hayes and Kirk Marrison in 1993. They had first worked together under the name Fibreforms as a live trio that used treated guitars, kit drums, and tapes of found sound to explore the balance between band composition and recording experiments, while Marrison made heavy use of the Akai S612 sampler as a fabricating strategy with\u003c\/span\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cspan\u003e \u003c\/span\u003ethe project Waterwheel. »Kiln seemed to encapsulate the evolution and melding of those previous approaches to one that insisted on the continual opening up of the compositional process, allowing more of the mystery that can be discovered through studio experiments—and accidents—to become important elements of creating our music,« says Rehberg of the trio that is still going strong after three decades. »The word Kiln implies heat and transformation, an attitude that we apply to every sound we use—we begin with notes and performance and then mosaic with shape and colour.«\u003cbr\u003e\u003cbr\u003e»Holo« followed up on the trio’s debut self-titled EP that had been recorded in the summer of 1996. »That same year, during a lull in our collabs, Kirk began building pieces on a low-memory Mac using an early 8-channel DAW,« explains Rehberg. Enchanted by the unprecedented fidelity and energy of those recordings, the three reconvened to build upon them and make more music in that manner. »I’d say our intention was no different than any other time: create something immersive and compelling: dense melodic blasts of uniquely constructed but ultimately accessible audio moments.« The group worked individually and in pairs for about 18 months while being spread across the United States. »We poured everything into it that we had at the time, working dead-end jobs by day and on audio in every other open moment. I remember the struggle of that process, but also the pure joy as we pulled down countless moments of magic while the pieces took shape.«\u003cbr\u003e\u003cbr\u003eRehberg says that he still hears »a time-stamp of those efforts and the belief that we were creating a special audio experience« when listening back to »Holo,« a record the band itself chose to revise almost a decade after its initial release. »Ultimately we just felt those pieces needed more impact and we had the tools and ability to make that happen,« he explains. 16 years after that and a quarter of a century after it first introduced Kiln as a force to be reckoned with, the remastered version feels indeed timeless. It is both a snapshot of the first extensive album project by a group whose bond is still »diamond strong,« as Rehberg puts it, and a record that continues to sound fresh, if not visionary also today.\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/ExHFv8MV_iw?si=IgFcPs2b1iROEu7N\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen\u003e\u003c\/iframe\u003e","brand":"Profundo","offers":[{"title":"Default Title","offer_id":52997223350566,"sku":null,"price":850.0,"currency_code":"MXN","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1011\/3905\/4886\/files\/a2687191991_10.jpg?v=1775766954"},{"product_id":"sarah-davachi-antiphonals","title":"Sarah Davachi: Antiphonals","description":"\u003cp\u003eComposed using a Mellotron, electric organ, piano and synthesizers, \"Antiphonals\" takes all the elements we know and love from Davachi's impressive catalogue to date and refines them into eight tracks of expertly-sculpted deep listening stickiness. If you're familiar with her work, the content won't be surprising, but Davachi's dedication to her craft has resulted in music that feels more and more revelatory each time.\u003c\/p\u003e\n\u003cp\u003eHere, she brings her obsession with the tonal and textural character of early music to the fore, playing confidently with sounds that exist two or three steps from the contemporary sonic spectrum. Her favored outpost is a cocoon of soft-focus resonance, where sounds graze lightly and hypnotize rather than scrape or bruise. It's not background music - this is art that requires attention and understanding to appreciate its layered beauty and subtle complexity.\u003c\/p\u003e\n\u003cp\u003eThere are no real standouts or big moments, rather \"Antiphonals\" is a single long-running excerpt of Davachi's sonic thesis that plays continuously without a defined beginning or a defined end. It's a privilege to spend time in her world, listening to sacred music melt into prog rock and sensual, experimental drone into blurry neoclassical ambience. There are plenty of musicians who attempt to reach this jewelled nirvana, and precious few who get close - Davachi is currently sitting near the center. Breathtaking.\u003c\/p\u003e\n\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/8cttc9Iq0jE?si=6jEfS-ErB2hJq17A\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen\u003e\u003c\/iframe\u003e","brand":"Profundo","offers":[{"title":"Default Title","offer_id":52997467472166,"sku":null,"price":850.0,"currency_code":"MXN","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1011\/3905\/4886\/files\/5060263723912.png?v=1775776681"},{"product_id":"yeong-die-uncapturable","title":"Yeong Die: Uncapturable","description":"\u003cdiv class=\"tralbumData tralbum-about\"\u003eYeong Die would typically be described as DJ, musician, or “experimental” composer, but in reality she is a sculptor. Between the rapidly disintegrating boundaries of composition and sound design, her work employs a hunting and gathering of intangible material—bursts of memory, fragments of liminal space, interstitial banalities—materializing as boundless expressions that evade genre constructs.\u003c\/div\u003e\n\u003cdiv class=\"tralbumData tralbum-about\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"tralbumData tralbum-about\"\u003eAs an integral presence among Seoul’s most forward thinking sound artists, Yeong is in a constant uphill battle rejecting the reverence that so quickly creeps in and infects contemporary craft, that relegates even the most audacious attempts of her peers to pigeon-hole pastiche. Given this style-agnostic starting line, her ESP Institute debut 'Uncapturable' exudes non-urgency, an unfettered pace that allows breathing room, affording the listener freedom to mentally isolate and explore elements without fear of missing a “bigger picture.” \u003c\/div\u003e\n\u003cdiv class=\"tralbumData tralbum-about\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"tralbumData tralbum-about\"\u003eThere is a warm and welcoming feeling that invites repetitive, even studied listening. While half the work is somewhat singular in presentation—'1km', 'Like Your Flaw', or 'Burnt'—there are moments of meticulous complexity—'Morning Rum Punch' (featuring vocals by Cifika) and 'Did' (featuring a smattering of spoken words by icecream drum), both underground Korean peer artists. \u003c\/div\u003e\n\u003cdiv class=\"tralbumData tralbum-about\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"tralbumData tralbum-about\"\u003eThese\u003cspan class=\"bcTruncateMore\"\u003e\u003cspan\u003e \u003c\/span\u003emoments feel more of like an acute focus on execution that compliments the overall shape of the album, rather than a dynamic contrast. Cifika’s vocals, in particular, command the listener’s periphery in a playful and refreshing way, exaggerating negative space and in-between moments that not only the paint an arresting stereo field but a remarkable sense of physical depth, not easily achieved without production sorcery. It is, without a doubt, these beautiful fleeting moments that we describe as 'Uncapturable'.\u003c\/span\u003e\u003cspan\u003e \u003ca\u003e\u003c\/a\u003e\u003c\/span\u003e\n\u003c\/div\u003e\n\u003ch3 class=\"credits-label\"\u003e\u003cbr\u003e\u003c\/h3\u003e\n\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/sl1m_nnN_pU?si=QHcicKqoo47z77gF\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen\u003e\u003c\/iframe\u003e","brand":"Profundo","offers":[{"title":"Default Title","offer_id":52997468324134,"sku":null,"price":700.0,"currency_code":"MXN","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1011\/3905\/4886\/files\/a2791335712_10.jpg?v=1775776900"},{"product_id":"caterina-barbieri-myuthafoo","title":"Caterina Barbieri: Myuthafoo","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eCaterina Barbieri is set to release a sister album of her 2019's acclaimed “Ectatic Computation”. “Myuthafoo“ will be out on June 2.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eItalian composer Caterina Barbieri has spent the best part of a decade breaking apart the rigid structures of electronic music, using advanced, idiosyncratic techniques to build bridges between academic experimental, dance and pop landscapes. Her breakthrough moment came in 2017 with the Important Records-released \"Patterns of Consciousness\", a confident fusion of analogue synthesis and algorithmic compositional methodology that defined her unique voice. And when she followed it with \"Ecstatic Computation\" on the legendary Editions Mego label in 2019, wide acclaim ensued, with critics praising its potent fusion of minimalism and trance-inducing synth experimentation. Pitchfork has described her music as \"a mind-altering journey\" and \"a dreamachine for the ears\".\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eSince then Barbieri has worked hard to subvert expectations at every turn, offering an eccentric spin on the remix album with \"Fantas Variations\" - a selection of collaborations and reworks from friends and inspirations like Kali Malone, Jay Mitta, Evelyn Saylor and Kara-Lis Coverdale - and developing a modish articulation\u003c\/span\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cspan\u003e \u003c\/span\u003eon last year's poetic and densely layered \"Spirit Exit\". Described by NPR as “deeply psychedelic and, by extension, subversive,\" the album was more than just a selection of tracks; it launched her own light-years label and arrived alongside an ambitious live experience that developed her philosophy in multiple dimensions, bringing in additional voices like Bendik Giske, Nkisi and Lyra Pramuk and bespoke visuals from Marcel Weber and Ruben Spini.\u003cbr\u003e\u003cbr\u003e\"Myuthafoo\" was written at the same time as \"Ecstatic Computation\", which Barbieri regards as a sister album. Both albums are based on creative sequencing processes that playfully unravel Barbieri's deep-rooted interest in time, space, memory and emotion. And since she was set to re-release \"Ecstatic Computation\" on her own light-years imprint, it made sense to accompany that album with this intimately entangled set of unreleased recordings. At the time, Barbieri had been touring excessively and her process began to shift in response to that nomadic, interactive energy. Using the Orthogonal ER-101 modular sequencer, Barbieri manually programed patterns into the device and fed them into her arsenal of noise generators, trialling different combinations at each show.\u003cbr\u003e\u003cbr\u003eIf an idea worked well in the live environment, she would put it to one side, letting longer pieces breathe and transform as they sprung to life and developed organically. It's a process she relates to her interest in cosmogony, the study of the origins of the universe; her music is rooted in the limitations of a small number of options that branch out into a much larger structure, eventually reaching towards an open-ended cosmos of possibility. From 'Math of You', it's clear that the sounds are grounded in a similar sonic philosophy; blipping synth sequences nudge alongside each other harmonically, disrupting trance's addicting euphoria with filigree polyrhythmic pulses. Like 'Fantas' before it, the track is focused around emotionally affecting repeating phrases, but a closer examination reveals hidden intricacies as these phrases flicker like illusions, dissolving and dissipating as they snake and weave.\u003cbr\u003e\u003cbr\u003eThe album's title track is its most generous and most tender, blunting Barbieri's usually razor-sharp sequences into rubbery möbius strips that twist romantically, bending back on each other. It gazes at the stars from an atemporal vantage point, relying on synapse-popping psychedelic logic as well as established physics. 'Sufyosowirl' meanwhile is rigorous and rhythmic, as melodically charged as pop music and as soaring as Jean-Michel Jarre's lavish stadium electronics. Closing track 'Swirls of You' encases Barbieri's celestial sequences in gaseous vapors, allowing the music to ascend slowly and purposefully until it flickers and fades to nothing. Barbieri's music sounds as if it has a life of its own, endlessly expanding and transmuting until it's able to develop its own rules and gestures. \"Myuthafoo\" teases an ecosystem where technology and biology are intertwined, and where the past, present and future are part of the same essential narrative.\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/p\u003e\n\n  \u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/lRg6BhRYw8k?si=aPA3Y1dgk4iDw30u\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen\u003e\u003c\/iframe\u003e","brand":"Profundo","offers":[{"title":"Default Title","offer_id":52997472289062,"sku":null,"price":950.0,"currency_code":"MXN","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1011\/3905\/4886\/files\/a4231551779_10.jpg?v=1775777273"},{"product_id":"marta-de-pascalis-sky-flesh","title":"Marta De Pascalis: Sky Flesh","description":"\u003cdiv class=\"tralbumData tralbum-about\"\u003eIf there’s one specific component that grounds “Sky Flesh”, it’s the focus. Italian musician and sound designer Marta De Pascalis flexed her technical muscle on 2020’s “Sonus Ruinae”, layering various sounds and processes in an attempt to touch the sublime. In contrast, “Sky Flesh” is a single thought, composed using just one instrument: the Yamaha CS-60. A slimmed-down sibling to the gargantuan CS-80 – the analog synthesizer used by Vangelis to create his iconic “Blade Runner” score – the CS-60 was released in 1977, a few years before the MIDI protocol was introduced to help standardize production methods. MIDI would change the electronic music landscape completely, offering a level of control that De Pascalis consciously relinquishes, preferring to highlight expressiveness and timbre, elements more readily associated with acoustic instruments. The album arrives as much of the wider experimental scene busies itself with algorithmic composition and AI-assisted modeling; De Pascalis chooses to work instead like an organologist, harnessing the CS-60’s mercurial magic to suggest deeper truths about our evolving relationship with machines.\u003cbr\u003e\u003cbr\u003eCurrently based in Berlin, De Pascalis grew up in Rome, where she was surrounded by atrophied ruins that piqued her interest\u003cspan class=\"bcTruncateMore\"\u003e\u003cspan\u003e \u003c\/span\u003ein decay and memory. Over her last three albums, she used tape loops and advanced synthesizer techniques to create a unique sound world that’s guided by her musical philosophy, rather than a specific aesthetic. As she’s developed her technique and confidence, her music has become even more idiosyncratic, and at this stage in her career, she’s stripped her sound down to its core elements, focusing on emotion, narrative, and mystery. Using timbres that recall a time when electronic music still waved towards the future, De Pascalis’ melodic content is rooted in early and Renaissance music, almost cleaving it from history entirely. Fittingly, “Sky Flesh” is released on acclaimed Italian composer Caterina Barbieri’s burgeoning light-years label, the ideal platform for her labyrinthine, cosmic vignettes.\u003cbr\u003e\u003cbr\u003eDe Pascalis introduces us to the album with a triptych that establishes her sonic landscape immediately. On “voXCS60x”, “The Shapes We Buried” and “Blue to Blue”, she presents the CS-60 in all its malleable glory, running its serrated, ring-modulated oscillations through booming reverb and reducing them to vapors. Despite not working with MIDI sequencing, De Pascalis exerts a remarkable level of command, bending her compositions into abstract shapes without sacrificing their evocative earworms. It’s an almost ritualistic process that centers on a musician who’s not only in dialog with technology but with the cosmos itself, channeling its puzzles through her machines. This soul-searching is most evident in “Yueqin”, a dreamily ornate, moonlit composition that breathes through filigree melodic flourishes and triumphant fanfares, signaling a distant romance in the heavens.\u003cbr\u003e\u003cbr\u003eDe Pascalis takes a brief detour on “Commas Light” and “Cut Off Horizon”, investigating tonality in miniature and coaxing expression out of her delirious runs of notes with uncommon ease. It makes the conclusion of “Làsciati” and “Equal to no Weight” hit that much harder, the former a dissonant dance into psychedelia and the latter an almost ten-minute cloud of obscured harmony. With all traces of the CS-60’s sound humbled by tides of noise, it’s an apt finale, climaxing with suggestive echoes that pointedly disappear into silence. With “Sky Flesh”, De Pascalis doesn’t freeze time, but expands its reach, offering a fresh perspective on cosmic music that’s steeped in riddles and wonder.\u003c\/span\u003e\u003cspan\u003e \u003ca\u003e\u003c\/a\u003e\u003c\/span\u003e\n\u003c\/div\u003e\n\u003ch3 class=\"credits-label\"\u003e\u003cbr\u003e\u003c\/h3\u003e\n\n  \u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/TE09Agr3fSM?si=zDWacNdrfbF3y7HF\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen\u003e\u003c\/iframe\u003e","brand":"Profundo","offers":[{"title":"Default Title","offer_id":52997475664166,"sku":null,"price":950.0,"currency_code":"MXN","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1011\/3905\/4886\/files\/a4162037016_10.jpg?v=1775777446"},{"product_id":"caterina-barbieri-fantas-variations","title":"Caterina Barbieri: Fantas Variations","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eFantas is the epic opening track on Caterina Barbieri’s acclaimed 2019 release Ecstatic Computation. The original Fantas laid out a magical path of patterns leading the listener on a journey into the sound itself. Fantas Variations maps out eight new potentials sprung from this initial path as constructed by a diverse mix of artists lending to a wide spectrum of new works extrapolated from the original work. For this project Barbieri invited friends and long time collaborators from a variety of musical backgrounds to create a more sustainable and inclusive landscape in terms of stylistic, geographical, gender and generational balance. The results are a diverse array of approaches and instrumentation which blur the boundaries between the acoustic and electronic.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eFantas Variations embraces a platform for mutual exchange and support between like-minded artists, where active and collective re-imagination is prioritised over the traditional model of remixes, which is often strategic, functional and more passive.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eLongtime friend and collaborator Kali Malone rearranged Fantas to a slowed-down, austere and eerie version for two Organs. Evelyn\u003c\/span\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cspan\u003e \u003c\/span\u003eSaylor created a piece for a vocal ensemble consisting of her, Lyra Pramuk, Stine Janvin and Annie Garlid, joining forces to express the choral, psychedelic and vitalistic nature of the piece. Barbieri’s former guitar professor at the Conservatory in Bologna, Walter Zanetti, composes Fantas for electric guitar, by translating every single gesture of the original electronic piece into a personal, nuanced and detailed interpretation. Bendik Giske’s reinterpretation for Saxophone and Voice captures the atmospheric essence of Fantas and its psychic meteorology. Longtime collaborator and along with Barbieri the other half of the outfit Punctum, Carlo Maria, resynthesizes Fantas for TR808 and MC202, bringing a more club-oriented dimension of the piece to life whilst unveiling the sonic continuum between rhythm and pitch through a sensitive timbral approach. Jay Mitta’s Singeli reinterpretation of Fantas transpires with pitched-up percussion and turbo-fast polyrhythmic patterns unleashing the frenetic, shifting, transformative matter within the piece to a higher plain of euphoric dance. Baseck’s variation is a rave fantasia, where the prismatic trance of the original is channeled into fierce, uncompromising hardcore, whilst Kara-Lis Coverdale’s take is a phantasmagoria for piano that gently, yet inexorably, captures the relentlessness and chimerical qualities of the original, unveiling its spectral backbone.\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/p\u003e\n\n\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/QCSUJylApgk?si=FvnKwN_pl5xa__V1\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen\u003e\u003c\/iframe\u003e","brand":"Profundo","offers":[{"title":"Default Title","offer_id":52997480284454,"sku":null,"price":950.0,"currency_code":"MXN","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1011\/3905\/4886\/files\/a3811311419_10.jpg?v=1775777864"},{"product_id":"caterina-barbieri-ecstatic-computation","title":"Caterina Barbieri: Ecstatic Computation","description":"\u003cdiv id=\"name-section\"\u003e\u003c\/div\u003e\n\u003cdiv id=\"trackInfo\" class=\"leftColumn\"\u003e\n\u003cdiv id=\"trackInfoInner\"\u003e\n\u003cdiv class=\"tralbumData tralbum-about\"\u003eFollowing 2017’s acclaimed 2LP “Patterns of Consciousness”, “Ecstatic Computation” is the new full-length LP by Caterina Barbieri. The album revolves around the creative use of complex sequencing techniques and pattern-based operations to explore the artefacts of human perception and memory processes by ultimately inducing a sense of ecstasy and contemplation. Computation is turned from being a formal, automatic writing technique into a creative, psychedelic practice to generate temporal hallucinations. A state of trance and wonder where the perception of time is distorted and challenged.\u003c\/div\u003e\n\u003cdiv class=\"tralbumData tralbum-about\"\u003e\n\u003cbr\u003eEqually nervous and ecstatic, the fast permutation of patterns can create a\u003cbr\u003estate where time stands still whilst simultaneously being in motion. Is this\u003cbr\u003epropulsive music moving forward or backward? As long as the perception of the present is constantly enhanced and refreshed in an endless sense of loss, re-discovery and the search for self-orientation this question lies mute aside the thrilling and perplexing moment of the matter at hand.\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\n\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/0-Pp3sjKFSQ?si=OakOBlIHcqC8cO4R\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen\u003e\u003c\/iframe\u003e","brand":"Profundo","offers":[{"title":"Default Title","offer_id":52997480972582,"sku":null,"price":1350.0,"currency_code":"MXN","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1011\/3905\/4886\/files\/a4255192498_10.jpg?v=1775778018"},{"product_id":"caterina-barbieri-spirit-exit","title":"Caterina Barbieri: Spirit Exit","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eThe musical vortexes of Caterina Barbieri rewire time and space. Listening to the Italian composer and modular synth virtuoso has felt like traveling at light-speed and slow-motion all at once since 2017’s breakthrough double-album Patterns Of Consciousness. 2019’s acclaimed Ecstatic Computation pushed even further with the lead single “Fantas”, where a haunting melody hurtling towards its supernova climax felt like witnessing the life and death of a burning star. Far beyond any new age trope or modern synth trend, her music stands alone in its ecstatic intensity and cataclysmic emotional impact. Marking the debut album on her new label light-years, Barbieri now delivers her most profound work yet — a journey through inner-space as vast as a universe and as intimate as a heartbeat. The Spirit Exit opens and we fall in.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eSpirit Exit is Caterina Barbieri’s time machine, primarily composed with a modular synth rig she thinks of more like a mechanical fortune teller. Whereas previous releases were constructed on lengthy tours, capturing only snapshots of continually evolving works, Spirit Exit represents the producer’s first album fully written and recorded in her home studio amidst Milan’s two-month pandemic lockdown in 2020. It was during this extended isolation she found inspiration\u003c\/span\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cspan\u003e \u003c\/span\u003efrom female philosophers, mystics and poets spread across time, but united in their strength at cultivating vast internal worlds. St. Teresa D’Avila’s foundational 16th century mystical text The Interior Castle, philosopher Rosi Braidotti’s posthuman theories and the metaphysical poetry of Emily Dickinson act as thematic anchors throughout Spirit Exit, imbuing a life and death gravity into the composer’s most perception-altering music to date.\u003cbr\u003e\u003cbr\u003eMore than any release before it, Spirit Exit crystallizes Barbieri’s densely layered, blindingly bright synth arrangements while introducing stunning new elements that feel as if they’ve always belonged. Strings and guitar flawlessly thread into the composer’s web of modular patches, while her revelatory singing voice often cuts right through them. Melodies remain Barbieri’s great passion and obsession — she thinks of them as knots she’s trying to untangle, existential metaphors formed through tensely spiraling arpeggios — and on Spirit Exit they grow as large as planets before cracking into atoms. Parts of one song can haunt another. The synth progression unraveling through “Knot Of Spirit” is reborn on “Broken Melody”, an explosive peak with vocals that flash like a lightning storm. The sweeping “At Your Gamut” perfects the producer’s dramatic, slow-burning openers, but in her first ever use of sampling, it later gets crushed, accelerated and unrecognizably transformed into the ghostly hook surging through “Terminal Clock” — an otherworldly sound rushing across what feels like the artist’s first track for a dancefloor.\u003cbr\u003e\u003cbr\u003eCaterina Barbieri’s music has always transported listeners, its perpetual movement achieved through complexities that needn’t be solved, but simply felt. Spirit Exit articulates that endless ascension — destination unknown, resolution always just out of reach — with a newfound humanity. It’s the result of a one-of-a-kind artist deeply reflecting on what music means to them, only to return with an even greater understanding of what it can be. As the album closes on “The Landscape Listens” — a song that approaches death with all the gentle grace of Brian Eno’s “An Ending (Ascent)” — it brings to mind the full line of Emily Dickinson’s poem “There’s a certain slant of light”. “When it comes — the landscape listens \/ Shadows — hold their breath.” Spirit Exit is a special kind of seance, an album so otherworldly and inexplicably moving it leaves even its ghosts in a stunned silence.\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/n_4xy8ovgaM?si=vKuVutptR7L3h3-8\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e","brand":"Profundo","offers":[{"title":"Default Title","offer_id":52997481627942,"sku":null,"price":1200.0,"currency_code":"MXN","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1011\/3905\/4886\/files\/a0860446015_10.jpg?v=1775778147"},{"product_id":"ryuichi-sakamoto-async-1","title":"Ryuichi Sakamoto: async","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eAsync is an emotional journey of the legendary composer Ryuichi Sakamoto coming to terms with death. Throat cancer sadly took his life six years later but this album deeply conveys the lived experience of knowing that time is precious.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eThe impermanence of life is best represented in the albums spoken word poetry. Life, Life, recites a poem by Andrei Tarkovsky's father Arseny Tarkovsky spoken by life-long collaborator David Sylvian. When describing the album, Sylvian summed it up nicely as “a work that sings of mortality and expresses a love and gratitude for life, accompanied by the knowledge of its fragility\". The label Milan described Async as the soundtrack for an imaginary movie by Andrei Tarkovsky.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eFullmoon begins with a quote from Paul Bowles reading his novel The Sheltering Sky over a sine wave. \"Because we don’t know when we will die, we get to think of life as an inexhaustible well. How many more times will you watch the full moon rise? Perhaps 20. And yet it all seems limitless.\"\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eThe heavy use of church organ also coveys the emotional setting of funeral music, especially on Andata, Zure, Stakra and Solari, which I consider to be one of Sakamoto's most sad, touching and timeless songs to date. So much modern music lacks emotion or purpose but here we see a lifelong musician who reached a point in his musical journey where he can so effortlessly convey feelings and emotions with the sound of one note or frequency.\u003c\/span\u003e\u003c\/p\u003e\n\n\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/7X4mEzhrj_U?si=K4JaR8XH-JFppgXk\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen\u003e\u003c\/iframe\u003e","brand":"Profundo","offers":[{"title":"Default Title","offer_id":52997484871974,"sku":null,"price":1200.0,"currency_code":"MXN","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1011\/3905\/4886\/files\/ryuichisakamoto-async.jpg?v=1775778315"},{"product_id":"giuseppe-ielasi-aix","title":"Giuseppe Ielasi: Aix","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eAix is the latest work from Italian artist Giuseppe Ielasi and the follow-up to 2007’s August (12k, 12k1044). WIth Aix we see Ielasi building his layered, atmospheric music around rhythmic grids. Most of the time these are quite irregular and the pulses are not neccessarily stable or clear. Where his previous work approached sound in a linear fashion Aix imposes a strong vertical development with the aforementioned grid and a production consisting of ons and offs, employing as much improvisation as Ielasi’s previous work, but in a different way.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eDespite the self-imposed grid structure, Aix relies heavily on randomization. Not in the traditional sense of sound placement but instead of the spatialization of sounds, echoes, reverbs and the stereo image. As a result, Aix has an amazing sense and clarity of space as the small fragments of sound breathe and find their own place in the mix, thanks to Ielasi’s sublime skills as a mixer and engineer.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eIelasi relied heavily on numerous short samples and combining them in ways that fell into his groove; some found from others' recordings and many more recorded during the past year. We hear fragments of percussive (acoustic) objects, drums, piano, trumpet, guitar, and, of course, synthetic textures. Although there is a distinct rhythmic pulse to Aix, Ielasi manages to mold it into something wonderfully languid and warm... and strangely inviting.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\n\u003ciframe style=\"border: 0; width: 350px; height: 470px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3385518869\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/12kmusic.bandcamp.com\/album\/aix\"\u003eAix by Giuseppe Ielasi\u003c\/a\u003e\u003c\/iframe\u003e","brand":"Profundo","offers":[{"title":"Default Title","offer_id":52997555159334,"sku":null,"price":650.0,"currency_code":"MXN","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1011\/3905\/4886\/files\/a3595396687_10.jpg?v=1775780359"},{"product_id":"ben-kaczor-sirene","title":"Ben Kaczor: Sirene","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eBen Kaczor debuts his first LP on St. Odes.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eSirene showcases a more experimental and cinematic approach to sound.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eTracks such as Amusement Impressions and Phantom Blues emerged from his fine art studies, while Sirene and Oval Waves reflect his work with the Buchla Easel. The artwork features a photograph by the artist himself, making the record one of his most personal works to date.\u003c\/span\u003e\u003c\/p\u003e\n\n\u003ciframe width=\"100%\" height=\"300\" scrolling=\"no\" frameborder=\"no\" allow=\"autoplay\" src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/tracks\/soundcloud%253Atracks%253A2259315044\u0026amp;color=%23ff5500\u0026amp;auto_play=false\u0026amp;hide_related=false\u0026amp;show_comments=true\u0026amp;show_user=true\u0026amp;show_reposts=false\u0026amp;show_teaser=true\u0026amp;visual=true\"\u003e\u003c\/iframe\u003e\u003cdiv style=\"font-size: 10px; color: #cccccc;line-break: anywhere;word-break: normal;overflow: hidden;white-space: nowrap;text-overflow: ellipsis; font-family: Interstate,Lucida Grande,Lucida Sans Unicode,Lucida Sans,Garuda,Verdana,Tahoma,sans-serif;font-weight: 100;\"\u003e\n\u003ca href=\"https:\/\/soundcloud.com\/st_odes\" title=\"St. Odes\" target=\"_blank\" style=\"color: #cccccc; text-decoration: none;\"\u003eSt. Odes\u003c\/a\u003e · \u003ca href=\"https:\/\/soundcloud.com\/st_odes\/ben-kaczor-sirene\" title=\"ben kaczor - sirene [SO004]\" target=\"_blank\" style=\"color: #cccccc; text-decoration: none;\"\u003eben kaczor - sirene [SO004]\u003c\/a\u003e\n\u003c\/div\u003e","brand":"Profundo","offers":[{"title":"Default Title","offer_id":52997558206758,"sku":null,"price":950.0,"currency_code":"MXN","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1011\/3905\/4886\/files\/a0021254825_10.jpg?v=1775780486"},{"product_id":"saine-there-will-be-signs","title":"Saine: There Will Be Signs","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eThe new vinyl offering on Special Species has an ageless feel to it - \"There Will Be Signs\" by Saine is like a little universe of its own; a utopian dreamworld with its flickering synthesizer textures and distant echoes of the ancient Finnish trad. instrument Kantele.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eThe six mostly improvised pieces on the album revolve around the Rhodes electric piano. Similar to Saine's previous full-length, the LP plays through with no beats or sequenced elements - the music sounds like snowflakes floating in the air, never reaching the ground.\u003c\/span\u003e\u003c\/p\u003e\n\n\u003ciframe style=\"border: 0; width: 350px; height: 470px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1090839145\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/track=1784512685\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/specialspeciesrecords.bandcamp.com\/album\/ssr036-saine-there-will-be-signs\"\u003eSSR036: Saine - There Will Be Signs by Special Species Records\u003c\/a\u003e\u003c\/iframe\u003e","brand":"Profundo","offers":[{"title":"Default Title","offer_id":52997570724134,"sku":null,"price":800.0,"currency_code":"MXN","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1011\/3905\/4886\/files\/a2558307316_10.jpg?v=1775780694"},{"product_id":"htrk-rhinestones","title":"HTRK: Rhinestones","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eThe latest by iconic slowburn Australian duo HTRK is an elegant nine song suite of windswept emotion and heartbreak noir, crafted in skeletal arrangements of guitar, voice, metronomes, and FX. Inspired by a recent infatuation with “eerie and gothic country music,” Rhinestones moves from whispered lament to acoustic eulogy to downtempo vignettes, tracing muted embers of loss and lust through haunted city streets. Taking cues from the economy and brevity of western folk but skewed through a narcotic, nocturnal lens, the album maps enigmatic badlands of strung out beauty and lengthening shadows.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eNigel Yang cites friendship as a central muse, “particularly the forging of it, and its potential for new feelings of telepathy and trust.” Jonnine Standish’s wounded, alluring vocals echo similar mysteries of connection and unknown crossroads, poetic but direct, dream diaries faded with age and rain. The rhinestones of the title evoke the glittering plastic of cowboy glamor, yet “made precious somehow;” Standish cites as an example a baby blue star brooch from Texas, gifted to her “from a stoned friend on New Year’s Eve 10 years ago in Brighton – cheap keepsakes can be more valuable than diamonds.”\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eEven for a group as enduringly versatile as HTRK\u003c\/span\u003e\u003cspan class=\"bcTruncateMore\"\u003e, Rhinestones is a revelation, condensing their lyrical alchemy to its simmering, magnetic essence. “Sunlight Feels Like Bee Stings,” “Reverse Déjà vu,” and “Gilbert and George” in particular are masterpieces of drama, delivery, and distillation, dried flowers clouded by smoke, the candle’s flame flickering but unforgotten: “Some things are not like the others \/ Some friends are not like the others \/ did I ever say \/ did I ever say \/ did I ever say thank you?”\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/p\u003e\n\n\u003ciframe style=\"border: 0; width: 350px; height: 470px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2214780339\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/htrk.bandcamp.com\/album\/rhinestones\"\u003eRhinestones by HTRK\u003c\/a\u003e\u003c\/iframe\u003e","brand":"Profundo","offers":[{"title":"Default Title","offer_id":53000004600102,"sku":null,"price":950.0,"currency_code":"MXN","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1011\/3905\/4886\/files\/a1451820867_10.jpg?v=1775857525"},{"product_id":"htrk-psychic-9-5-club","title":"HTRK PSYCHIC 9-5 CLUB","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003ePsychic 9-5 Club marks the beginning of a new chapter for HTRK. It's an album that looks back on a time of sadness and struggle, and within that struggle they find hope and humour and love. It's Jonnine Standish and Nigel Yang's first album recorded entirely as a duo—former band member Sean Stewart died halfway through the recording of their last LP, 2011's Work (Work, work).\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eThough the record is instantly recognisable as HTRK—Standish's vocal delivery remains central to the band's sound, while the productions are typically lean and dubby—they've found ample room for exploration within this framework. Gone are the reverb-soaked guitar explorations of 2009's Marry Me Tonight and the fuzzy growls that ran through Work (Work Work). They've been replaced with something tender, velvety and polished. This is HTRK, but the flesh has been stripped from their sound, throwing the focus on naked arrangements and minimalist sound design.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eThe album was recorded at Blazer Sound Studios in New Mexico with Excepter's Nathan Corbin, who had previously directed the video clip for Work (Work Work) cut \"Bendin.\" Inviting a third party into their world was no easy decision, but in Corbin they found a kindred spirit. The LP was then refined and reworked in Australia at the\u003c\/span\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cspan\u003e \u003c\/span\u003eturn of 2013, before the finishing touches were applied in New York during the summer. Psychic 9-5 Club was then mastered by Rashad Becker at Dubplates and Mastering in Berlin.\u003cbr\u003e\u003cbr\u003eOf all the themes that run through Psychic 9-5 Club, love is the most central. The word is laced throughout the album in lyrics and titles—love as a distraction, loving yourself, loving others. Standish's lyrics explore the complexities of sexuality and the body's reaction to personal loss, though there's room for wry humour—a constant through much of the best experimental Australian music of the past few decades.\u003cbr\u003e\u003cbr\u003eStandish explores her vocal range fully—her husky spoken-word drawl remains, but we also hear her laugh and sing. Equally, Yang's exploratory production techniques—particularly his well-documented love of dub—are given room to shine. They dip headlong into some of the things that make humans tick—love, loss and desire—with the kind of integrity that has marked the band out from day one. Psychic 9-5 Club is truly an album for the body and for the soul.\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/p\u003e\n\n\u003ciframe style=\"border: 0; width: 350px; height: 470px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=934303645\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/htrk.bandcamp.com\/album\/psychic-9-5-club-2\"\u003ePsychic 9-5 Club by HTRK\u003c\/a\u003e\u003c\/iframe\u003e","brand":"Profundo","offers":[{"title":"Default Title","offer_id":53000040907046,"sku":null,"price":1200.0,"currency_code":"MXN","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1011\/3905\/4886\/files\/a3872871439_10_b3a742e5-e4ea-4677-b44e-1624e5a671ff.jpg?v=1775857821"},{"product_id":"elizabeth-davis-flowers","title":"Elizabeth Davis: FLOWERS","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e'Flowers', the new EP from Elizabeth Davis, finds itself at the cross-section of many factors. In part, it’s the result of Davis’ obsession with a seminal folk song. But it also coincides with her rediscovery of the voice and language as an instrument. It was recorded during an autumn residency at Sternhagen Gut, the cultural refuge run by Gudrun Gut and Thomas Fehlmann, located deep in the Uckermark countryside halfway between Berlin and the Baltic coast.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eThe six tracks on 'Flowers' all take Pete Seeger’s ‘60s protest-folk song 'Where Have All The Flowers Gone' as their starting point. However, they veer off in different directions, from vocal loops and deconstructed lyrics, to instrumental drones and glitchy, manipulated rhythm tracks. Like many musicians, Davis has learnt composition by a process of disassembly, analyzing musical works piece by piece, and 'Flowers' began as one such forensic exercise. “But sometimes,” says Davis, “a source is so loaded up on meaning that the studies and experiments can become worthwhile and meaningful works in their own right.” 'Flowers' began to take on a life of its own, raising renewed questions about age-old themes such as war, authorship, translation and historical structures.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eDavis is no stranger to cover versions. From studying\u003c\/span\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cspan\u003e \u003c\/span\u003eviolin to playing in free jazz and punk bands, interpreting other artists’ works has long been a key part of her musical approach. And since her radio show 'Deep Puddle' recently drew to a close after seven years, her experiments with narration and sound collage have found their way into her musical work once again. For 'Flowers', she cut up the source material (with a nod to Gysin and Burroughs), and reassembled the lyrics, the musical notes, and recordings by different performers, to create uncanny new forms.\u003cbr\u003e\u003cbr\u003eBut perhaps the biggest influence on 'Flowers' was conversations about music, art and pop subcultures with Gut. These dialogues helped Davis find a balance between far-out sound design experiments and catchy melodies, combining a certain avant-garde element and modern day songcraft. And it’s this sense of conversation, this revisiting of topics and renewal of ideas, that will keep us coming back to 'Flowers' long into the future.\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/p\u003e\n\n\u003ciframe style=\"border: 0; width: 350px; height: 470px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3100100896\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/wiltedwoman.bandcamp.com\/album\/flowers\"\u003eFlowers by Elizabeth Davis\u003c\/a\u003e\u003c\/iframe\u003e","brand":"Profundo","offers":[{"title":"Default Title","offer_id":53000085307686,"sku":null,"price":850.0,"currency_code":"MXN","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1011\/3905\/4886\/files\/a1523142178_10.jpg?v=1775858171"},{"product_id":"kaitlyn-aurelia-smith-emile-mosseri-i-could-be-your-dog-i-could-be-your-moon","title":"Kaitlyn Aurelia Smith \u0026 Emile Mosseri: I Could Be Your Dog \/ I Could Be Your Moon","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eKaitlyn Aurelia Smith, Emile Mosseri, and Ghostly will be making a donation from today’s Bandcamp Friday sales of their collaborative album, I Could Be Your Dog\/I Could Be Your Moon to support reproductive rights via Noise For Now.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003e\"His music filled me with the urge to connect with the world,\" Kaitlyn Aurelia Smith says of Emile Mosseri. She first heard his work while watching the 2019 film The Last Black Man In San Francisco; just minutes in, she paused it to look up who did the score and wrote to him immediately. \"I love Emile's ability to create melodies that feel magically scenic and familiar like they are reminding you of the innocence of loving life.” Those talents saw recognition in 2020 with an Oscar nomination for Mosseri’s original score to the film Minari. He was already a fan of Smith’s and became increasingly intrigued by her impressionistic process as they started to talk. \"The music feels so spiritual and alive and made from the earth,\" Mosseri says. \"I think of her as the great conductor, summoning musical poetry from her orchestra of machines.\" I Could Be Your Dog \/ I Could Be Your Moon, their two-part collaborative album, introduces an uncanny fusion of their sonics. Constructed using synthesizer, piano, electronics, and voice, this soft-focus dream world is lush, evocative, and\u003c\/span\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cspan\u003e \u003c\/span\u003efleeting. It finds two composers tuning their respective styles inward as an ode to mutual inspiration, a celebration of the human spirit and its will to surrender to the currents of life.\u003cbr\u003e\u003cbr\u003eEarly into their correspondence, Smith and Mosseri realized they were neighbors in Los Angeles and met up for a few hikes. Their conversations led to a musical exchange over email. The exercise became a sketch, the start of their first song together, \"Log In Your Fire,” with Mosseri finding flourishes in Smith’s cathartic synth lines to intonate and harmonize alongside. Lyrically, it's a beautiful, open-ended sentiment. \"Being a log in someone's fire, to me, means letting go, and surrendering to that feeling,\" says Mosseri. From there, the pair composed a series of musical foundations, trading files from afar, nurturing the eventual expansion as the remote days of 2020 set in. Smith likens the collaborative experience to the exciting uncertainty of starting a garden, \"doing what I can to facilitate growth while enjoying the process of being surprised by what will actually grow.\" \u003cbr\u003e\u003cbr\u003eIn the summer of 2021, the duo finished work on the sequel, I Could Be Your Moon, expanding their musical language as the first part reached its September release. Songs from these more recent exchanges find them even more synced, forging into percussive and harmonic experiments, leaning further into their “unused musical muscles,” as Smith and Mosseri put it. A unified vocal presence emerged. “As the friendship grew I think we both learned how to support each other more and musically that was communicated through singing together,” adds Smith.\u003cbr\u003e\u003cbr\u003eNow taken as a full album set, I Could Be Your Dog \/ I Could Be Your Moon moves fluidly from track to track, panning through textural vignettes. Two roughly 17-minute halves, the set evokes the bittersweet sense of something too bright or rare to last, a short-lived glimpse into a golden hour. \"Moon In Your Eye\" sends a choral refrain skyward; we stay behind, watching it haze away in the heavens. \"Brush\" bubbles with Smith's characteristic wonder and curiosity, expressed in a flutter of horn-like sounds, leading into the album's central expression, its titular track. Above pulsing harmonies, in his tender falsetto, Mosseri repeats variations of the mantra, \"I don't want to feel \/ lost anymore \/I can’t make you what I am.\" He says the idea they are reaching for is more abstract and universal, \"It could mean I could be your friend \/ buddy, I could be someone \/ something else, I could transform, I could be your companion, etc. What I like about it is it could change based on what that means to you, or what the word dog means to you.\"\u003cbr\u003e\u003cbr\u003eThe orchestral march of 'oohs and ahhs' on \"Blink Twice” could register as both triumphant and tragic. \"Moonweed,\" strays closer to the latter, with low and slow piano keys guiding the alien hums of a starlit goodbye. \u003cbr\u003e\u003cbr\u003eI Could Be Your Moon, the second installment and side B of the record, opens with the striking “Green To You.” Depicting a dream or a need for renewal — to be new in the eyes of another, all excitement of seeing and being seen as imagined, idealized versions of ourselves — the song unveils the duo’s newly fused voice. “I only want to be green to you,” they sing, as an organ phrase swirls underneath. There’s a wistful sense that bleeds into instrumental “Amber” and continues across “Standing In Your Light,” a piano ballad-turned-mini-symphony that traces over feelings of remorse (“I was distracted \/ overreacted… come to your senses”). “Shim Sham” starts woozily in anticipation before flipping on a drum break, becoming the collection’s energetic apex; their hums dance with the beat, wordless yet undoubtedly expressive. Once introduced, the percussion stays and syncopates for “Golden Cow,” another radiant duet that reads like a playful plea, or a reminder to their creative selves (“slow down \/ be careful now \/ you’ve done this one before”). \u003cbr\u003e\u003cbr\u003eThe record ends inside “Radio Replacement,” a swan song in the lineage of somber album outros; lyrically they reflect on past loves and the passage of time, personifying the music (“I would really love to be \/ your favorite melody \/ for a while”). There is a dreamy, elemental intention to this music, which Smith and Mosseri say came naturally, as they both embraced intuitive interplay throughout their creative back-and-forth. The stylistic threads of each composer are recognizable yet become more ambiguous as the album progresses, sewn into a singular vision. \"I'm so grateful that my musical ideas could dance with hers with some grace and harmony,\" says Mosseri. Smith adds that this experience helped her \"remember that music can be a connecting layer of friendship, especially in a time when the usual ways were out of reach.\"\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 350px; height: 470px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=294621838\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/kaitlynaureliasmith.bandcamp.com\/album\/i-could-be-your-dog-i-could-be-your-moon\"\u003eI Could Be Your Dog \/ I Could Be Your Moon by Kaitlyn Aurelia Smith \u0026amp; Emile Mosseri\u003c\/a\u003e\u003c\/iframe\u003e","brand":"Profundo","offers":[{"title":"Default Title","offer_id":53048857952550,"sku":null,"price":950.0,"currency_code":"MXN","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1011\/3905\/4886\/files\/a3151779490_10.jpg?v=1776299320"},{"product_id":"kelly-lee-owens-lp-8","title":"Kelly Lee Owens: LP.8","description":"\u003cdiv class=\"tralbumData tralbum-about\"\u003eBorn out of a series of studio sessions, LP.8 was created with no preconceptions or expectations: an unbridled exploration into the creative subconscious.\u003cbr\u003e\u003cbr\u003eAfter releasing her sophomore album Inner Song in the midst of the pandemic, Kelly Lee Owens was faced with the sudden realisation that her world tour could no longer go ahead. Keen to make use of this untapped creative energy, she made the spontaneous decision to go to Oslo instead. There was no overarching plan, it was simply a change of scenery and a chance for some undisturbed studio time. It just so happened that her flight from London was the last before borders were closed once again. The blank page project was underway.\u003cbr\u003e\u003cbr\u003eArriving to snowglobe conditions and sub-zero temperatures, she began spending time in the studio with esteemed avant-noise artist Lasse Marhaug. Together, they envisioned making music somewhere in between Throbbing Gristle and Enya, artists who have had an enduring impact on Kelly’s creative being. In doing so, they paired tough, industrial sounds with ethereal Celtic mysticism, creating music that ebbs and flows between tension and release.\u003cbr\u003e\u003cbr\u003eOne month later, Kelly called her label to tell them she\u003cspan class=\"bcTruncateMore\"\u003e\u003cspan\u003e \u003c\/span\u003ehad created something of an outlier, her ‘eighth album’.\u003cbr\u003e\u003cbr\u003eLasse Marhaug is known for hundreds of avant-noise releases, previously working with the likes of Merzbow, Sunn O))) and Jenny Hval, for whom he produced her acclaimed albums Apocalypse, Girl, Blood Bitch and The Practice Of Love. A label mate of Kelly’s, Marhaug has recorded for Smalltown Supersound since 1997. Welsh electronic artist Kelly Lee Owens released her eponymous debut album in 2017 and followed this up with 2020’s Inner Song. She has collaborated with Björk, St. Vincent and John Cale. In April, she returns with LP.8.\u003c\/span\u003e\u003cspan\u003e \u003ca\u003e\u003c\/a\u003e\u003c\/span\u003e\n\u003c\/div\u003e\n\u003ch3 class=\"credits-label\"\u003e\u003cbr\u003e\u003c\/h3\u003e\n\u003ciframe style=\"border: 0; width: 350px; height: 470px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1228302107\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/kellyleeowens.bandcamp.com\/album\/lp-8\"\u003eLP.8 by Kelly Lee Owens\u003c\/a\u003e\u003c\/iframe\u003e","brand":"Profundo","offers":[{"title":"Default Title","offer_id":53048894292262,"sku":null,"price":800.0,"currency_code":"MXN","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1011\/3905\/4886\/files\/a1210404852_10.jpg?v=1776299964"},{"product_id":"tom-furse-ecstatic-meditations","title":"Tom Furse: ECSTATIC MEDITATIONS","description":"\u003cdiv class=\"tralbumData tralbum-about\"\u003e‘Ecstatic Meditations’, the follow up to 2016’s acclaimed debut solo outing ‘Interludes’, features six beautifully crafted new tracks leading with an edit of the 20 minute album opener and lead track ‘Journey In Ecstasy’. An adventurous deep listening experience, the new collection was recorded, mixed and mastered by Furse at his electronic studio on the Margate coast.\u003cbr\u003eA sonic tapestry of sound that takes inspiration from the likes of Alice Coltrane, Laraaji, Eno and Steve Reich together with a new found appreciation for Japanese environmental music composers such as Akira Ito and Yasauki Shizimu.\u003c\/div\u003e\n\u003cdiv class=\"tralbumData tralbum-about\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"tralbumData tralbum-about\"\u003eThe result is an intense yet playfully refreshing take on ambient and electronic music.\u003c\/div\u003e","brand":"Profundo","offers":[{"title":"Default Title","offer_id":53048915853606,"sku":null,"price":950.0,"currency_code":"MXN","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1011\/3905\/4886\/files\/a0176062042_10.jpg?v=1776300271"},{"product_id":"oneohtrix-point-never-r-plus-seven","title":"Oneohtrix Point Never:  R Plus Seven","description":"\u003ciframe style=\"border: 0; width: 350px; height: 470px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=169042242\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/oneohtrixpointnever.bandcamp.com\/album\/r-plus-seven\"\u003eR Plus Seven by Oneohtrix Point Never\u003c\/a\u003e\u003c\/iframe\u003e","brand":"Profundo","offers":[{"title":"Default Title","offer_id":53048924340518,"sku":null,"price":900.0,"currency_code":"MXN","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1011\/3905\/4886\/files\/R-4945814-1428502865-8731_679304a1-1607-41ab-96cd-08826d6275fc.jpg?v=1776300995"},{"product_id":"matt-karmil-will","title":"Matt Karmil: Will","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eKarmil’s fourth album, Will, is released on the Norwegian Smalltown Supersound label – the home of Lindstrøm among others. Even more than before Matt has managed to combine his love of the graceful forward motion of minimal techno beats with the deeply granular textures and meditative chambers of reverb and delay. Mastered by the careful hand of Rashad Becker at the legendary Dubplates \u0026amp; Mastering plant, this driverless vehicle takes bumps and curves with ease, but passes through enough scuzzy neighbourhoods to make the journey more memorable.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eBefore you get to the long ambient closing track, ‘Maffé’, Will contains its share of muted bangers like ‘Morals’ and ‘Can’t Find It (The House Sound)’. While these would vibrate well on the dancefloor, the experience for Matt is primarily a private domestic one. ‘I like to try to create a room to visit, and while it's nice to have details and look out the window occasionally, the fundamental is the room\/environment itself – my personal enjoyment of music away from the club is often centred around long form and ambient works.’\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 350px; height: 470px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1378081988\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/matt-karmil.bandcamp.com\/album\/will\"\u003eWill by Matt Karmil \u003c\/a\u003e\u003c\/iframe\u003e","brand":"Profundo","offers":[{"title":"Default Title","offer_id":53048932696358,"sku":null,"price":800.0,"currency_code":"MXN","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1011\/3905\/4886\/files\/a1235216131_10.jpg?v=1776301148"},{"product_id":"various-artists-voices-04","title":"Various Artists: Voices 04","description":"\u003cp\u003eThe fourth edition of the Voices series spotlights emerging and established voices in emotional, melodic electronic music. Woven from threads of deep house, ambient techno, and introspective sound design, this is a record for those moments between dusk and dawn when music becomes something more personal.\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 350px; height: 470px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=459691716\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/predawnrecords.bandcamp.com\/album\/voices-04\"\u003eVoices 04 by Predawn Records\u003c\/a\u003e\u003c\/iframe\u003e","brand":"Various Artists","offers":[{"title":"Default Title","offer_id":53150331437350,"sku":null,"price":650.0,"currency_code":"MXN","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1011\/3905\/4886\/files\/a2974832619_10.jpg?v=1778115060"},{"product_id":"tujiko-noriko-aoki-takamasa-28-lp","title":"Tujiko Noriko + AOKI Takamasa: 28","description":"\u003cp\u003eA landmark of experimental electronic music, »28« merges AOKI Takamasa's icy, precisely sculpted IDM rhythms with Tujiko Noriko's ethereal, haunting vocals. Originally released in 2005, this is its first-ever vinyl pressing — remastered by Stephan Mathieu. Delicate, futuristic, and deeply emotional, it remains one of the most unique albums in the electronic canon.\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 350px; height: 470px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=825164279\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/tujikonoriko1.bandcamp.com\/album\/28-remaster-2025\"\u003e28 [Remaster 2025] by Tujiko Noriko + AOKI takamasa\u003c\/a\u003e\u003c\/iframe\u003e","brand":"Tujiko Noriko + AOKI Takamasa","offers":[{"title":"Default Title","offer_id":53150331502886,"sku":null,"price":1100.0,"currency_code":"MXN","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1011\/3905\/4886\/files\/a1819730889_10.jpg?v=1778114750"},{"product_id":"bjork-vespertine-2lp","title":"Björk: Vespertine (2LP)","description":"\u003cp\u003eOne of the most intimate and otherworldly albums ever recorded, Vespertine is Björk at her most interior — an album of whispering harps, microbeats made from cracking ice and shuffling cards, and vocals that feel like they were captured in a single breath. A masterpiece of avant-pop and experimental electronics, now on double vinyl.\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 350px; height: 470px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2586413852\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/bjork.bandcamp.com\/album\/vespertine\"\u003eVespertine by Björk\u003c\/a\u003e\u003c\/iframe\u003e","brand":"Björk","offers":[{"title":"Default Title","offer_id":53150332879142,"sku":null,"price":1300.0,"currency_code":"MXN","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1011\/3905\/4886\/files\/71c04yTzrsL._AC_SL1000.jpg?v=1778110883"}],"url":"https:\/\/profundo-online.com\/collections\/ambient.oembed","provider":"Profundo","version":"1.0","type":"link"}